Summary
The documentary Naza, directed by Yuval Abraham and Rachel Szor, uses testimony from 24 anonymous Israeli military and intelligence personnel to examine the war in Gaza, including alleged use of AI-assisted targeting. Franceinfo reports that the filmmakers altered interviewees’ faces and voices with AI to protect their identities. Witnesses in the film describe the Lavender system, mass targeting and civilian casualties; those accounts are allegations and are not independently verifiable from precise dates or locations in the film. Franceinfo calls the documentary one-sided, noting that it does not interview Israeli military or government representatives and omits important context. The Israeli military rejects the accusations. The film won Venice’s special jury prize and is scheduled for limited French screenings before a free online release.
Hana’s perspective
Naza puts two different AI questions inside one film. One concerns AI-assisted targeting in war; the other concerns AI used by documentarians to protect sources. Both demand unusually high transparency. Anonymization must preserve testimony without changing meaning, while claims about targeting systems require corroboration and a meaningful response from those accused. The film’s omissions do not erase the testimony, but they do make careful attribution essential.
Are you a writer with a great story? We'd love to hear from you: APPLY HERE